Brass and sousaphone and trombone bells, four parts, each 216 × 24 × 24″ (548.6 × 61 × 61 cm). © 2023 Henri Cartier-Bresson/Magnum Photos, courtesy Fondation Henri Cartier-Bresson, Paris. Daniel Goeritz y Galeria La Caja Negra, Madrid. Moustapha Dimé © 2023 Artists Rights Society (ARS), New York / ADAGP, Paris. Michelle says that Bonner has influenced the way they see style, as structure rather than surface. Dime's piece was crafted from reclaimed materials found in Dakar's urban environment.īonner is collaborating with Michelle Kuo, curator of the Marlene Hess, and Dana Lijergern, Assistant, Department of Painting and Sculpture to bring the exhibition to life. Hammon's work connects Afro-Atlantic and Afro-Pacific cultures reflecting Bonner's transatlantic identity.

Adkin's work beautifully captures the essence of musicality, emphasizing sound, performance, and elegy. She spent years researching pieces that drew inspiration from a variety of dynamic entities connected to performance, music, bodies, and communion, such as Terry Adkins’s Last Trumpet (1955), David Hammon's Afro-Asian Eclipse (1978), Moustapha Dime's Lady with a Long Neck (1922), and more.

The designer has achieved so much in a short amount of time, having curated her first exhibition at the Serpentine Gallery, titled A Time for New Dreams, in 2019 and winning prestigious awards like the LVMH prize for young fashion designers in 2016 and CFDA menswear designer of the year in 2021 so this milestone is no surprise.

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